Published:  01:09 AM, 13 October 2019

Masterful telling of a life thwarted by injustice

Masterful telling of a life thwarted by injustice An Orchestra Of Minorities, Author: Chigozie Obioma, Publisher: Little, Brown and Company

Toh Wen Li

A poultry farmer's doomed romance with a pharmacist-in-training lies at the heart of Obioma's masterfully composed story set in contemporary Nigeria.

An Orchestra Of Minorities, Obioma's second novel, begins with an encounter between Chinonso, the protagonist, and Ndali, a woman whom he tries to save from jumping off a highway bridge to her watery death. The two eventually fall in love.

Ndali's wealthy family objects to their union because Chinonso is uneducated. To make himself more acceptable to them, he sells everything he has and enrols in university in Cyprus. But when he arrives, he learns that he has been scammed and his life takes a bitterly tragic turn.

The novel is narrated by Chinonso's "chi", an ancient guardian spirit, and the story strikes the heart not with titanic disaster but its human, empathetic telling of a life thwarted and deformed by injustice.

"The world spins on the noiseless wheel of an ancient patience by which all things wait and are made alive by this waiting," Chinonso's chi observes. "The ill luck that has befallen a man has long been waiting for him - in the middle of some road, on a highway, or on some field of battle, biding its time."

The story is shadowed by an evil that slouches steadily towards the hero's proverbial garden of innocence. Some scenes are deeply uncomfortable, but so masterful is the storytelling that the reader cannot help but gaze on, transfixed, as Chinonso's world falls apart.

Obioma, 33, a rising star in the Nigerian and international literary scene, has been hailed by some as an heir to Chinua Achebe. But he also rivals - and outshines - A Thousand Splendid Suns author Khaled Hosseini in his seemingly effortless ability to orchestrate heartrending scenes of terrible, tragic intensity.

There are some false notes in the otherwise watertight minor-key narrative. The ending feels too pat and some things - such as the poor boy/ rich girl trope - border on soap opera cliche. But this familiarity could very well be the point - the story operates in a culture where time is seen as cyclical, where the disasters of the future "happened long ago, and had merely been patiently waiting".

The writer is a book critic

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