Eid movies divide masala bonanza and the intellectual treat!

Here are two contrasting scenes from the Eid celluloid treat, 2025:

Scene one: In an underground parking lot, the debonair protagonist, Ariyan Mirza smells danger as he is about to get inside his Rolls Royce with the lady in question, bdnews24 reports.

Soon, surrounded by thugs, the hero puts the girl inside the car and unleashes hell on the villains, shooting, maiming, breaking bones and using the hand held axe snatched from one of the assailants to inflict terrible injuries.

As a dozen men lay groaning or dead, the man of the moment sits atop his car bonnet, shushing everyone to be silent.

The crowd goes wild, the clapping is accompanied by cheers.

The King of commercial films Shakib Khan has come back with another blockbuster called Borbaad.

Death, destruction, dance and drinks have the audience intoxicated!

Scene two: A teenager with multiple stab wounds lay dead in a pool of blood in a city apartment, police have cordoned off the crime scene while a bevy of media cameras and reporters wait outside, waiting to get a comment.

On the way is detective inspector Moinul. Pot-bellied, unassuming and wearing simple clothes, his outdated motorbike refuses the start but Moinul is persistent. While trying desperately to kick start the machine, his sidekick, a young sub-inspector, comes in on a swanky bike.

In the end, no miracles happen and the inspector leaves his machine behind, taking a ride with his partner to the crime scene, holding a packet of nuts.

The only thing giving away his identity is the side arm, firmly placed inside the holster. At the scene, the blood does not bother him and neither does he make any extravagant promises to nab the criminal.

Methodically, he tries to look for clues or something out of the ordinary, gazing intently at the cigarette butts, where one half smoked stick is different than the others. People at the Cineplex get ready for an intellectually stimulating thriller in Chokkor 302.